Wim de Groot, portretten

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Fré Drostzaal, 23 juli t/m 18 september 2022

Wim de Groot, portretten                     

 Wim de Groot (Rotterdam 1887–Lunteren 1956) wordt door zijn schildersvriend Jaap Dooijewaard in Blaricum attent gemaakt op Nunspeet. Dooijewaard woonde van 1905 tot 1915 in Nunspeet in het ‘atelier op de heuvel’ aan De Zoom (nu: De Veluwse Heuvel). De Groot gaat er in 1916 wonen en legt zich in Nunspeet toe op het schilderen van landschappen, figuren en portretten. In de exposite is goed te zien dat De Groot een meester is in het tekenen van portretten.

Als hij in 1920 naar Lunteren verhuist betrekt de familie Lussenburg de woning met atelier en later in 1936 Frans Huysmans. Zijn opleiding heeft hij gevolgd aan de Academie voor Beeldende Kunsten te Rotterdam, waar hij les heeft gehad van onder andere Alexander van Maasdijk en Jan Striening. Ook volgde De Groot lessen aan de Academie des Beaux-Arts in Brussel en de Academie des Beaux-Arts in Parijs.

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Kitty van der Mijll Dekker en Hermann Fischer

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Fré Drostzaal 28 januari t/m 29 mei 2023

Bauhaus in Nunspeet 1934-1967
Kitty van der Mijll Dekker en Hermann Fischer

Kitty van der Mijll Dekker en haar man Hermann Fischer zijn beide rond 1930 opgeleid aan Bauhaus, de beroemde hogeschool voor de kunsten in het Duitse Dessau. Daar leerden ze onder meer het ontwerpen van voorwerpen die industrieel gefabriceerd konden worden. Kitty bijvoorbeeld ontwierp van alles, zoals wandkleden en damasten tafellakens, maar ook kleurrijke theedoeken die decennia lang in Nederlandse huishoudens gebruikt zijn. Hermann ontwierp niet alleen behang, maar ook gordijnen bijvoorbeeld voor paleis Soestdijk. Hij zorgde voor het in bedrijf houden van de weefgetouwen in hun atelier aan huis in Nunspeet.

Meer dan veertig jaar werkten en woonden zij in een fraaie villa naast het gebouw waarin nu het Noord-Veluws Museum gevestigd is. Dit pand is een aantal jaren geleden in oude glorie hersteld waardoor nog beter te zien is waarom het zo geschikt was voor hun kunstweverij. In dat pand tonen wij in samenwerking met de eigenaar o.a. kleden die Kitty ontwierp en weefde en waarvan een aantal nog door haar familie bewaard en gekoesterd worden.

In het Noord-Veluws Museum wijden we een expositie aan de weefkunst van het echtpaar. Met als centraal object het tafelweefgetouw gemaakt door Hermann Fischer waarop zij proeflappen weefden. We laten met name zien hoe revolutionair zij te werk gingen door bijvoorbeeld cellofaan mee te weven.

Daarnaast laten wij u als bezoeker graag de theedoeken bewonderen die Kitty van der Mijll Dekker ontwierp voor de fabriek Van Dissel. Verder is te zien dat zij en Hermann Fischer zelfs hofleverancier waren.

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Kitty in haar weverij/atelier in Nunspeet met Hermann rechts op de achtergrond (familiecollectie)

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De Weverij en woning Stationslaan 34 te Nunspeet, 1910 (Streekarchivariaat Noordwest-Veluwe)

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Stalen geweven stof Kitty van der Mijll Dekker (TextielMuseum Tilburg)

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De familie Koekkoek langs de Zuiderzee

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t/m 24 september 2023

Met zestien schilders in vier generaties wordt de familie Koekkoek beschouwd als de grootste schildersfamilie ter wereld. Dit jaar worden op verschillende plekken kunstwerken van deze kunstschilders tentoongesteld. Op de bovenverdieping van het Noord-Veluws Museum is een wand met vier topstukken gewijd aan de familie Koekkoek.

Schilderijen van de beroemde bomenschilder Barend Cornelis Koekkoek (1803-1862) kunt u bekijken in de expositie ‘Bomen over Bomen in Museum STAAL in Almen’. Bij kunsthandel Simonis en Buunk in Ede worden werken van vele leden van de Koekkoekfamilie tentoongesteld. Vanaf juli exposeert Museum Flehite in Amersfoort stadsgezichten en landschappen van Willem en Jan H.B. Koekkoek.

In Nunspeet ziet u het werk van familieleden die rond de Zuiderzee hebben geschilderd. Johannes Hermanus Koekkoek (1778-1851) is de eerste in het geslacht Koekkoek die van schilderen zijn vak maakte. Zijn oeuvre omvat stadsgezichten aan het water en schepen op zee of aan de oever. Hij schilderde met de grootste precisie en hij was beroemd om zijn waarheidsgetrouwe weergave van scheepstypen. Johannes Hermanus gaf zijn talent door aan vier van zijn acht kinderen.

Er zijn drie schilderijen van Hermanus Koekkoek sr. (1815-1882) te zien. Hij is de jongste zoon van Johannes Hermanus. Hij maakte een succesvolle carrière als schilder van zee-, strand- en riviergezichten. Met fijne penseelstreek en hetzelfde oog voor detail als zijn vader schilderde hij het dagelijkse leven van het vissersvolk op de schepen. Zijn zonen Hermanus jr., Willem, Jan H.B. en Barend Hendrik (H.B.) zetten de schilderstraditie voort. Zij werden allen opgeleid door hun vader.

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Johannes Hermanus Koekkoek, Een praatje langs de oever, 1834 Collectie Simonis en Buunk, Ede

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Hermanus Koekkoek, Vertrekkend zeilschip bij de haveningang Collectie Simonis en Buunk, Ede

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Gaby Bovelander

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Tot en met 26 juni 2022 is in het Noord-Veluws Museum een overzichtstentoonstelling te zien van beeldend kunstenaar Gaby Bovelander, die op 17 september 2020 in haar atelierwoning in Hoog Soeren overleed. In 2019 deed Bovelander nog een ruimhartige schenking van dertig werken aan het Noord-Veluws Museum.

Na haar jeugd doorgebracht te hebben in Indonesië waar ze van 1942 tot 1945 in Japanse interneringskampen verbleef, woonde Gaby vanaf 1946 op Kasteel Staverden bij Elspeet, waar haar vader directeur was van een vakantieoord. Vanuit Staverden kwam zij begin jaren vijftig van de vorige eeuw in contact met de schilders in Elspeet en Nunspeet, zoals Ima van Eysinga, Jos Lussenburg en Chris ten Bruggen Kate. In 1953 voltooide zij de kunstacademie in Arnhem, afdeling Monumentale Kunst en Glas-in-Lood. Bovelander voerde veel opdrachten uit voor wandschilderingen in scholen en fabrieken, sgraffiti en wandkleden. In 1965 verhuisde zij naar Hoog Soeren. Het jaar erop nam zij het initiatief om in Apeldoorn een ‘kunstschool’ op te richten, het centrum voor kunsteducatie dat later uitgroeide tot ‘Gigant, Markant in cultuur’. Gaby Bovelander was een geliefd docent en begeleidde tot op hoge leeftijd groepen op haar atelier in Hoog Soeren. Bovenal was zij een gepassioneerd kunstenaar die zich altijd probeerde te vernieuwen, zowel in techniek als in onderwerp.

In Gaby’s eerste periode als schilder is het surrealisme richting gevend geweest. Het werd haar eigen magisch-realistische stijl, één die zeer herkenbaar is. Desolate landschappen, die bevolkt werden door ‘fantastische’ figuren en vormen. Haar kleurgebruik is dan nog enigszins gedekt: zandkleuren en blauwen. Minutieus schilderen in olieverf en tekenen met potlood op verschillende dragers. De basiskennis van het tekenen is voor haar essentieel. Een compositie, een figuur staat of valt met de juiste opbouw.

Daarna kwam er een periode van deformeren. Gaby borduurde voort op haar honderden tekeningen: katten, honden, muizen, eenden, kikkers, slakken, en ook mensjes. Ze roepen soms  humor en vrolijkheid op. Vervolgens brak de ‘lyrisch abstracte’ periode aan. Abstracte, sobere werken met krachtige composities, waarin subtiel herkenbare vormen terugkeren.

Als het schilderen fysiek te zwaar wordt, kiest Gaby er voor om over te gaan op digitale kunst. Met diverse computerprogramma’s weet zij dan weer haar zo kenmerkende beeldtaal vorm te geven. In 2016 verschijnt haar boek: Banjoe Biroe 10, over het interneringskamp op Java waar Gaby van haar elfde tot haar veertiende jaar samen met haar moeder opgesloten zat. Jaren van ontbering die we later steeds in diverse vormen zien terugkeren in haar werk.

Op de website van CODA Apeldoorn wordt eveneens aandacht besteed aan Gaby Bovelander.

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Van de hand van Lies van de Beek is bij Van Spijk Art Books de monografie Gaby Bovelander – Wie licht blijft zien, loopt nooit in duisternis, verschenen.

Deze fraaie uitgave is in de museumwinkel te koop voor € 29,50.

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Hendrik Willem de Jong & Chris ten Bruggen Kate & Daan de Jong

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Fré Drostzaal, 30 oktober 2021 t/m 23 januari 2022

Wat is het verband tussen deze drie kunstenaars, wier werk van 30 oktober 2021 t/m 23 januari 2022 in de Fré Drostzaal wordt geëxposeerd? Vorig jaar mocht het Noord-Veluws Museum een schenking van vijftien Veluwse tekeningen van Hendrik Willem de Jong (Rotterdam 1876 – Harderwijk 1950) in ontvangst nemen. Deze schenking wordt nu voor het eerst gepresenteerd. Hendrik de Jong had in Nunspeet een leerling en dat was Chris ten Bruggen Kate (Utrecht 1920 – Nunspeet 2003), die bekend zou worden met zijn magisch-realistische schilderijen. Daan de Jong (Utrecht 1982), schilder van landschappen en wolkenluchten, is een nazaat van de kunstzinnige familie De Jong en exposeert enkele Veluwse landschappen.

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Hendrik Willem de Jong

Hendrik Willem de Jong was in 1927 na een leven als postambtenaar in Rotterdam en Zeeland in Nunspeet als kunstenaar begonnen. Hij was vooral een knap tekenaar. Hij tekende boompartijen en stillevens, maar vooral knappe portretten en ‘koppen’ met veelal streekdracht. Zijn liefde voor de kunst heeft hij van geen vreemde. Zijn oudere broer Jan, studeerde aan de Rotterdamse academie voor beeldende kunsten en wordt er later docent tekenen. Van hem kreeg Hendrik Willem al vroeg tekenlessen. Hendrik Willem was verder autodidact, maar hij volgde wel een schriftelijke cursus tekenen, gegeven door een gerenommeerde School of Drawings in Londen. Zijn docenten waren bijzonder lovend over hun leerling in Nederland.

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Chris ten Bruggen Kate

In Nunspeet hield De Jong exposities aan huis en verkocht zo regelmatig schilderijen, maar dat was toch onvoldoende. Het echtpaar De Jong had dan ook regelmatig kostgangers in huis, onder wie Chris ten Brugge Kate. Chris mocht van zijn ouders niet naar de kunstacademie: “Zoek maar onderdak en ga maar in de leer bij een degelijk kunstenaar”. Van 1937 tot 1942 vond Chris onderdak in Nunspeet bij H.W. de Jong. Ten Bruggen Kate vond De Jong een goede leermeester, maar hij ging zijn eigen weg. Hij experimenteerde in alle richtingen en ontwikkelde tenslotte zijn bekende magisch-realistische stijl.

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Daan de Jong

In de expositie zijn ook kunstwerken te zien van Daan de Jong, die na zijn afstuderen in 2004 aan de Hogeschool voor de Kunsten Utrecht aan de weg timmert met bijzondere bijna fotografisch realistische landschappen met wolkenluchten. Zijn fascinatie ligt vooral bij het uitbeelden van de stemming van het moment en muziek is zijn grote inspiratiebron. Schilderijen komen al luisterend naar pianomuziek tot stand en veel kunstwerken dragen dan ook muzikale titels, zoals het Veluwse landschap ‘Poco agitato’.

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Bravo! Gecertificeerden Vrije Academie Nunspeet 2021

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Bravo! Gecertificeerden Vrije Academie Nunspeet 2021

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Fré Drostzaal, 25 september t/m 24 oktober 2021

Voor een maand zal het afstudeerwerk van de gecertificeerden die afgestudeerd zijn aan de Vrije Academie Nunspeet geëxposeerd worden in het Noord Veluws Museum. Zij zijn in juni 2021 geslaagd voor hun certificaat, maar de uitreiking daarvan en de expositie vinden plaats in het najaar.

Studenten kunnen voor het certificaat opgaan na een opleiding van gemiddeld vijf jaar, het voorbereidend jaar, Niveau A, 2 tot 3 jaar met nadruk op technische vaardigheden en Niveau B, 2 tot 3 jaar met nadruk op artistieke ontwikkeling.

We feliciteren de volgende studenten van harte met het behaalde resultaat!

Gert Oudenampsen Academisch Tekenen & Schilderen docent: Philip Knipscheer
Nicole Guiaux Klassieke Technieken docent: Serob Darbinian
Marloes Otten Klassieke Technieken docent: Serob Darbinian
Marleen Witteveen Schilderen docent: Marja Meijering
Jan van Eerden Kunst Ruimtelijk docent: Patricia Docter
Rob Boerma Kunst Ruimtelijk docent: Patricia Docter
Elsbeth Kok Kunst Ruimtelijk docent: Patricia Docter
Vincent van der Stap Kunst Ruimtelijk/Vormgeving Glas docenten: Patricia Docter, Krista Israël

Bekijk hier een filmpje van de buitenexpositie van het werk van Jan van Eerden.

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Jaap Hiddink, thuis in Nunspeet

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t/m 28 november 2021

Jaap Hiddink (Nunspeet 1910-2000) heeft zijn lange leven in kunstenaarsdorp Nunspeet gewerkt. Menig kunstliefhebber in deze regio herinnert zich misschien nog de laatste expositie van Jaap Hiddink in mei 2000 in het gemeentehuis van Nunspeet. Kort daarna is Jaap Hiddink in zijn woning aan de Spoorlaan in Nunspeet overleden. Uit een zeer omvangrijk oeuvre wordt twintig jaar na zijn overlijden een overzichtstentoonstelling van zijn werk gepresenteerd.

Jaap Hiddink is de enige geboren en getogen kunstschilder in kunstenaarsdorp Nunspeet. De aanwezigheid van veel kunstenaars in het kleine dorp moet voor Hiddink een stimulans geweest zijn om zich te wijden aan de schilderkunst. Op jonge leeftijd wordt Jaap aangetrokken door de Nunspeetse natuur en hij begon al jong met tekenen en schilderen.

Eigen handschrift

Hiddink kende de schilders Arthur Briët en Jan van Vuuren, hij was ‘thuis’ op het atelier van Jos Lussenburg en hij trok er regelmatig met Ben Viegers op uit. Hiddink is duidelijk geïnspireerd door deze kunstenaars, maar het is hem als autodidact gelukt om een geheel eigen handschrift te ontwikkelen. Op groot formaat doeken bracht hij de verf aan met een brede toets en speelse penseelstreek in een kleurrijk palet. Hiddinks schilderijen zijn vaak uitbundig, vol van levenslust en intense beleving van de natuur of van zijn onderwerp.

Politiek actief

Het typeert Hiddinks levenshouding dat hij ook politiek actief was in Nunspeet. Hij behoorde tot de oprichters van de partij Gemeentebelang, was vier jaar gemeenteraadslid en daarna van 1966 tot 1973 wethouder. In deze periode zette Hiddink zich ook in voor de oprichting van de Vrije Academie voor de Kunsten Nunspeet.

Oproep

Hiddink is als kunstenaar nog altijd heel geliefd, vooral bij de inwoners van Nunspeet en omgeving. Het Noord-Veluws Museum deed begin oktober een oproep aan de bezitters van een schilderij van Jaap Hiddink. Dankzij de medewerking van al deze particuliere eigenaren is een representatief deel van Hiddinks rijke oeuvre bijeengebracht.

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Fré Drost, grafisch beeldkunstenaar

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Fré Drostzaal, t/m 19 september 2021

Freerk Johannes Drost (Groningen 1907 – Vierhouten 1987) wist op de middelbare school al een opdracht in de wacht te slepen om de PR te verzorgen voor een toneeluitvoering. Hij gebruikte daarvoor een grafische techniek, de linosnede. Zijn tekenleraar Jan Gerrit Jordens was een actief lid van de Groninger kunstkring De Ploeg die deze oude techniek in ere herstelde. Een ander Ploeglid, de bekende drukker Hendrik Werkman was door zijn experimenteren met kleuren en lettervormen eveneens een aanstekelijk voorbeeld voor Fré Drost.

Na een opleiding kunstnijverheid en leraar tekenen in Groningen begon Drost een eigen reclamebureau. Zijn eerste grote opdracht kwam in 1928 van een oom die in Elspeet een postkantoor runde. Fré ontwierp toen een toeristische brochure met uitneembare linoleumsneden.

Fré Drost als reclameontwerper

In de jaren ’30 maakte Drost carrière als reclameontwerper bij grote bedrijven als Joh. Enschede en Zonen en Unilever. Fré ontwierp affiches voor de NS en voor bloembollenkwekers en kalenders voor bedrijven als Werkspoor. De affiches vinden anno 2020 nog gretig aftrek.

Bij Unilever kreeg Drost in 1939 de taak om zorg te dragen voor de artistieke kwaliteit van reclamedrukwerk. Later organiseerde hij landelijk bedrijfsopleidingen in reclamevakken en nam daarin het onderdeel grafische kwaliteit voor zijn rekening. Het vrije tekenen en schilderen beoefende Fré Drost in zijn vrije tijd.

Belangrijke periodes voor zijn werk als kunstenaar vormden de Tweede Wereldoorlog en zijn dienst als reserveofficier in Nederlands-Oost Indië. In tijden van krijgsgevangenschap en ondergedoken zijn was hij veel aan het tekenen, schilderen en studeren. Van de verschrikkingen maakte hij een serie indrukwekkende tekeningen.

In 1968 kocht Fré Drost een huis op de grens van Vierhouten en Elspeet. Daar heeft hij in zijn pensioentijd vooral getekend en geschilderd.

Een drievoudig eerbetoon aan Fre Drost

Na zijn overlijden op 80-jarige leeftijd in 1987 is zijn omvangrijke archief door zijn weduwe ondergebracht in de Stichting Vrienden van de kunstenaar Fré J. Drost. Het Noord-Veluws Museum te Nunspeet ontving een selectie kunstwerken als schenking. De Stichting is een ook belangrijke sponsor van het museum.

Als drievoudig eerbetoon is een museumzaal op de eerste verdieping van het Noord-Veluws Museum naar Fré Drost genoemd, waar tot en met 19 september 2021 een expositie van zijn werk wordt gehouden.
Van de hand van auteur Harry Tijssen verschijnt bij Van Spijk Art Books een fraaie uitgave over deze markante graficus en kunstenaar.

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Vermoorde kunst

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Tot en met 29 november 2020 bieden het Noord-Veluws Museum en Museum Sjoel Elburg in een unieke samenwerking de tentoonstelling Vermoorde kunst met werk van ruim 25 joods Nederlandse kunstenaars die in de Tweede Wereldoorlog werden vermoord.

Tijdens de bezetting door nazi-Duitsland in de Tweede Wereldoorlog zijn veel joodse kunstenaars om het leven gebracht. Hiermee werd hen op brute wijze de gelegenheid ontnomen om verder kunst te creëren. Zo werden niet alleen de kunstenaars vermoord, maar uiteindelijk ook de kunst. Dit indringende thema is de aanleiding voor een bijzondere samenwerking tussen Museum Sjoel Elburg en het Noord-Veluws Museum Nunspeet in het jaar dat 80 jaar WOII en 75 jaar vrijheid worden herdacht.

In Museum Sjoel Elburg is werk te zien van het bekende kunstenaarsechtpaar Else Berg (1877-1942) en Mommie Schwarz (1876-1942). Twee verdienstelijke schilders die gevormd werden in de traditie van het 19de-eeuwse kunstonderricht, maar zich aangetrokken voelden tot de modernistische explosies in de kunst van begin 20ste eeuw en daarna steeds opnieuw probeerden een eigen stijl te vinden. Tijdens de bezetting weigerden zij de jodenster te dragen. Eind 1942 werden zij opgepakt en in Auschwitz omgebracht.

Het Noord-Veluws Museum presenteert ruim 100 schilderijen, aquarellen, grafiek en tekeningen uit belangrijke particuliere verzamelingen en uit verschillende museale collecties. De werken zijn van kunstenaars als Baruch Laguna (1864-1943), Meijer Bleekrode (1896-1943), Moos Cohen (1901-1942), Fré Cohen (1903-1943), Max van Dam (1910-1943), Salomon Garf (1879-1943), Abraham Fresco (1903-1942), Dinah Kohnstamm (1869-1942 ), Samuel Jessurun de Mesquita (1868-1944), Marinus van Raalte (1873-1944), Lion Schulman (1851-1943) en Jetty de Vries (1886-1942).

Doorwerken of niet, dat was de vraag waar kunstenaars, en vooral joodse kunstenaars, voor stonden in de Tweede Wereldoorlog. De één heeft ondergedoken min of meer doorgewerkt, de ander deed dat openlijk en weigerde onder te duiken of de jodenster te dragen. Sommigen namen deel aan illegale verzetsactiviteiten. Wat deze kunstenaars overkwam en wat zij beleefden is meestal niet terug te zien in hun werk. In de tentoonstelling is daardoor een grote diversiteit aan kunstwerken te zien, gemaakt door verschillende generaties kunstenaars die werkten in verschillende stijlen, van realisme en impressionisme tot expressionistisch modernisme. Wat hen bindt, is dat ze joods geboren waren en om die reden werden omgebracht.

Publicatie

Bij deze tentoonstelling verschijnt een rijk geïllustreerde gebonden uitgave met artikelen van oud-conservator van het Joods Historisch Museum, rabbijn Edward van Voolen en Linda Horn, auteur van de dubbelmonografie over Else Berg en Mommie Schwarz, onder de titel ‘Vermoorde kunst – werk van vermoorde joodse kun­stenaars’. De publicatie is uitgegeven bij Van Spijk Art Books en voor € 17,50 te koop in de museumwinkel van beide musea.

U kunt dit boek nu online bestellen. Zo steunt u het museum ook!

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Vermoorde kunst online

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Als gevolg van de beperkingen die voortvloeien uit corona maatregelen van de Rijksoverheid heeft het Noord-Veluws Museum een online expositie gemaakt met een selectie van de werken die in de expositie ten toon zijn gesteld. Klik op bovenstaande afbeelding om naar de expositie te gaan.

Kijkt u op een tablet? Klik dan op Enter Exhibition om de tentoonstellingsruimte binnen te gaan.

Kijkt u op een computer? Klik dan op Start Guided Tour of Enter Exhibition.

In de tentoonstellingsruimte treft u aanwijzingen in de Engelse taal om u zo goed mogelijk door de ruimte te leiden.

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